Dates
7 - 22 June 2024
Discipline
Contemporary art, photography and gastronomy
Type
A series of photographic reports on the land and the plant, experimenting with flax and chestnut.

The study of nature has always attracted Luz Moreno Pinart. In 2019, she completed a residency at the Kujoyama Villa under a programme of the French Institute, the Ministry of Culture and the Bettencourt Schueller Foundation in Kyoto. She worked around the olive tree for three months, experimenting with its fibres and waste to create objects that pay homage to this thousand-year-old tree.

In 2022, she was artist-in-residence at the Accolade Foundation - Institut de France, where she focused on another ancient plant, the stinging nettle. Working with scientists, herbalists, weavers and farmers, she created a piece called "Texere urtica", which explains how the nettle reproduces thanks to its rhizomes and anatomy. The sculpture is made entirely of nettle and copper wire.

"In my artistic practice, I see myself as a researcher; I like to choose an 'ingredient', a theme or a plant and spend months doing historical, scientific, textile research... To end up with a piece that tells the life of these plants and questions the relationship between the environment and man. I like to say that my pieces speak the language of these plants".

During this residency at the Vilaseco space in San Cristovo de Mouricios, she will focus on flax and chestnut trees.

Luz Moreno Pinart

Born in Spain in 1989, Luz studied design and scenography at the École Nationale Supérieure des Arts Décoratifs in Paris, then at the Aalto School of Design in Helsinki, where she specialised in textile fibres, and finally at the École Supérieure d'Art et de Design in Reims, where she became interested in edible fibres. His finalist work for the Loewe Craft Prize 2023, exhibited at the Noguchi Museum in New York, consists of thin strands of knotted paper, using techniques he learnt during a residency in Kyoto. The result is an interconnected web in which each knot represents a moment in his life; it has been painted red to emphasise the importance of memory, while the long, thin strands of paper connecting them resemble the stamen of a flower: it contains the plant's pollen, representing life and growth.
Luz Moreno Pinart's residency was made possible with the support of Acción Cultural Española (AC/E):